I’m headed to Newfoundland next month to help run a beading class. It promises to be a fun if busy time. We’ll see how well my knee holds up. I managed to injure it skiing back in February, aggravate it last month, and re-aggravate it at least six times this month. I regret nothing except healing slower than when I was a teenager. It does take a bit of effort to see wild trilliums in bloom.
My yard is often populated by flowers and bees, and in the flower beds I have liverwort:



More interesting than plain grass, that’s for sure. The liverwort gets to stay and improve the soil.
Progress continues apace on various projects. If not for the upcoming trip, I would have increased my word count target already. As it is, it will serve as a good stress test on what my minimum should actually be. Being able to sit down and work on my writing has led to measurable progress. Who would have thought?
One of those projects is editing the novel I wrote in university, which has made me think about voice. Technically, it was a failed experiment in voice–a case of trying too hard to align with a specific era of writing. But aside from sentences that are too tangled to parse, there is something compelling buried in it. I’m more than five years removed from it—editing it now, I can see the good in it. It just needs to be cut back. Controlled and directed, much like the ground ivy that the bees so love, but would smother the rest of my yard entirely if it was allowed to.
Here’s another fragment of rough draft from the work in progress from Day 1:
The cave Misaki had gone down teemed with colour and life—with sound. Oren found themselves distracted by it all: the humming of fish, the crunching of crabs, the groan of ice under tension, creaking and clattering in their ears. To see a whole host of creatures wasn’t as surprising to them as it should have been. They never understood why some called Qaunic a dead world. Perhaps, for those who never dipped below the surface, they only ever heard Tith’s desolate wailing, Toth’s sloshing. But there was nothing dead about the way the ice sang under their feet.
They moved to the dance of it, arrhythmic, cautious. Edge out with a toe, shift weight and spread it over the full foot to ease over spikes and lighten the step—the movements that had helped see them named Kraischild.
I love the contrast between ‘dead world’ but underneath the surface, so much life. Looking forward to more.
[…] Here’s another fragment of rough draft from the work in progress from Day 1: […]
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